"A singer cannot delight you with his singing unless he himself delights to sing"
-Kahlil GibranDr. Grenvil, La Traviata, San Francisco Opera
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Reviews:
"Bass Kenneth Kellogg, one of the most handsome Adler Fellows ever to grace our stage, sang Pietro with a command that displayed his potential for larger roles.” ~Jason Victor Serinus, East Bay Reporter about Simon Boccanegra
“The soloists, all associated with San Francisco Opera, are fine voices. Bass Kenneth Kellogg’s precision on the single word “shake” in “Thus saith the Lord” was a marvel all by itself.” ~ MikeDunham about Handel's Messiah
"Bass Kenneth Kellogg similarly moved his audience with a vocally rich performance from Verdi’s “Simon Boccanegra,” imbuing the news of his daughter’s death with tragic grandeur. Kellogg is another talent to watch; his earlier “La calunnia” about the guilty pleasure of gossip from Rossini’s comic opera “The Barber of Seville” was absolutely ready for prime time.” ~James Keolker, Napa Valley Register
"...by the third act the opera becomes a rollicking farce with the performance of the "rude mechanicals," ...as a highway construction crew in reflective vests and overalls..."Among the group of six, the full low range of Kenneth Kellogg as Quince stood out.." ~Charles T. Downey, Ionarts about A midsummer night's dream
"The company’s Domingo-Cafritz Young Artists deserved a hand, not only because some of them sang at the Millennium Stage in the lobby before the show. D.C. native Kenneth Kellogg returned for his second WNO season as a striking Angelotti who seemed destined for a bigger role." ~ Anne Midgette, Washington Post
Feature in the Washingtonian Magazine
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